One of the most remarkable films from the African Continent

“Let the dead bury their dead. To hide your presence, so that they would not say that you were sick. A lifeless journey of time surrounds you, like an old cloth turned into a dry beetle. Church bells ring when people can’t. Let the little ones have fun. The dead buried their dead. You will do that in the future. You can hear the church bells under the water ”

the lyrics of the song sung at the beginning, where the time stamp is revealed by the lights that illuminate the room (the whole film is lit with candles). The song was sung with the help of Lesiba, “a bow that doesn’t shake the mouth,” and actor Jerry Mofokeng.

Lemohang Jeremiah Moses is one of the best directors in Africa today, if not many, and his 2019 film. This Is Not The Burial, And The Resurrection testifies to this fact. The story of the film and its originality depends on whether it saw an amazing US film Northfork (2003) under Mark Mark and previous editions by Mark and Michael Polish. An important parallel between the two is the land grab that comes to create a man-made lake, a shadow of the forced migration of city dwellers, a Christian priest (Nick Nolte, Polish film; Makhaola Ndebele in the film Moses) who provides assistance spiritual, and to transfer the bodies of the dead before the waters come out. All of these are fascinating movies. In all these films, we have people who refuse to change. In both of these films, the villagers / villagers are confronted by wealthy capitalist groups that promise a better life if the people agree to relocate. Unlike the Polish film, which focuses on the urban population, Moses’ film focuses on one person – 80 years old. A widow named Mantoa (Mary Twala Mlongo, the protagonist in the film) mourns the death of her son and is buried. Similar to the work of the Polish brothers, there is a priest in the film Moses to comfort him spiritually but Moses is more advanced than the American film, bringing sheep as mourners in a perverted magic to comfort the same widow. another house was set on fire by fire that consumed all her possessions, and perhaps her sleeping husband. Drawing the movement of the animals from the head shot was amazing, reminiscent of Terrence Malick’s shooting of the wild buffalo circling the forefront. At The Wonder (2012).

Mantoa played by Mary Twala Mlongo, who won
5 Best Actress Awards at various international events
film festivals on the project
The opening song was sung by Lesiba
(room has electricity)

Ddeath and burial are the most important aspects of spiritual and cultural dialogue This Is Not The Burial, And The Resurrection. The film begins with Mantoa mourning the death of her son who worked in the mines of South Africa near Lesotho. The writings of Moses clearly show that Mantoa has lost her sleeping husband, her daughter and her granddaughter. His deep feelings were tempered by the comforting words of the Christian priest, who quoted Bible verses. Yet this only raises the issue of faith in the mighty Mantoa, who just listens to the song without paying attention.Stay with me”Sung in the local language by members of a funeral procession near his home. Mantoa prepares for his death and burial after “death and burial” near his “weeping” village of Nazareth (unlike Nazareth, the town where Jesus was raised in the Bible) under the waters of the Sea . . Mantoa summoned all the women of the village and gave instructions at her funeral which reminded her of Abbas Kiarostami’s request for the right person to bury the 1997 Badil, the famous Golden Palmer in Cannes, Cherry cessation. For Mantoa, his death is certain and at the corner his funeral wishes will be fulfilled; for Badil, his plans depend on the unseen future. Moses presents Mantoa, a woman of great passion and character, the ‘Brave Mother,’ who pays a village man in advance to dig her grave near the graves of her husband and son.

Mantoa mourns his loss in the fire that has erupted
a bed of fire while the magic sheep
surround her like a weeping man

After the fire, the beautiful rebuilt house of Mantoa
(Learn the technique / design)

MThe slide show features an unforgettable mix of text, visual effects that are not filmed effectively and loudly in a film. Almost every shot in the film, often without words, depicts Mantoa’s interaction with his cemetery, the church and its historic bell, and the corpses buried. The beautiful Mantoa clothing in the house is durable and simple. The pictures on the outside quietly tell of a man who was swallowed up by a large, well-fed area producing vegetation for the benefit of the people and the sheep, not to mention the rain that blesses the land.

Mantoa in funeral clothes
(See candles.)

Mantoa, in good times, (see rich colors.)

(True, not mentioned in the film, the multi-million dollar Lesotho Highlands Water Project, which started in 1986 with the help of the World Bank, African Development Bank, and the European Investment Bank, operates stores and transfers water and generates. Electricity in South Africa, finds Lesotho hundreds of millions of dollars a year.)

The video version of the film, he emphasizes
Manifestations of Mantoa against superpowers,
rainwater from the clouds that can bring
glory is the grave to go down into the water

DDirector Lemohang Jeremiah Mosese, as director, playwright and editor has shown Lesotho and Africa to be proud of his second successful film career in the world. African movies are on the move as they show inconsistencies with what is happening in the region.

PS This Is Not The Burial, And The Resurrection has won 20 international awards at film festivals including Athens, Durban, Hong Kong, Kerala, Montreal, Reykjavik, Sundance, and Taipei. At the Kerala Festival (IFFK) he was nominated for Best Film in the competition. Five of these were for Mary Twala Mlongo as the best actress in the game. At IFFK, the late Mary Twala Mlongo also received a special mention. The film featured in the Denver film festival, This is not a burial, it is a resurrection is one of the best films of the authors of 2020. Mark Polish film Northfork (2003) and Terrence Malick At The Wonder (2012), cited above, have already been reviewed on this blog. (Click on the names of the videos in the post-script for comments.)

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